Hello everyone! As the fiction editor of The Spectatorial, I heavily encourage everyone to go submit something for the Spec's 8th issue. Here are the guidelines for Journal Submissions Please consider sending us your Fantasy, Sci-Fi, Horror, Magical Realism, or anything else within the speculative genres you can think of! (obviously you can submit anything but like, I'm... Continue Reading →
Hey, did you miss me? Well I missed you! Welcome back to:
TheSins of Charles Xavier! (Part Two)
Let us jump in right where I left off on the good Professor, with…
So the X-Men’s training room is pretty cool, right? For some reason Xavier saw fit to build a work-out chamber in his school called the Danger Room. It’s basically a room that can make all kinds of robots and hard-light projections so that the X-Men can practice getting shot at and train as a superhero team in a controlled environment.
It also serves as a pretty good backdrop every time Cyclops or Wolverine decide that the only way to solve their emotional issues is LARP violence. The Danger Room is basically the holodeck from Star Trek: The Next Generation dialed up to 11.
So it really shouldn’t come as any surprise when the danger room…
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Let me roll off some key features of a comic book character and see if you figure out who I’m talking about:
Kindly father figure, symbol of peace and tolerance, wheelchair-bound, teacher, bald, eyebrows like the wings of an eagle, enjoys the letter X, disagrees with his more violent buddy, named a school after himself, and the spitting image of Sir Patrick Stewart. See, at this point, you probably have a pretty clear idea of who I’m talking about. If you don’t… nah, you do (come on, Ben, be confident).
Okay, now I’m going to rattle off a few more key characteristics and see what happens: dead-beat dad, creepy perv, master manipulator, liar, militant extremist, destroyer of worlds, child abuser, slave driver, guy who can walk.
No, I am not describing two entirely different characters. All these characteristics add up to define Professor Charles Xavier, man of peace, founder of…
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Are you interested in submitting to The Spectatorial? Well, you’re in the right place. We are accepting submissions until OCTOBER 30, 2017 for Volume VIII.
Please read our Journal Submissions page to ensure that your piece meets our requirements.
We’re looking for:
- Short Stories
- Novel Excerpts
- Graphic Fiction
- Academic Papers
- Visual Art
Send art as PDFs and text as .docs to email@example.com. Please ensure that your name is not anywhere on the document itself.
Anything & everything speculative goes. Fantasy, horror, science fiction, superhero, dystopian, post-apocalyptic, gaslamp, steampunk, and anything else that you can think of. We accept papers and articles on film, photography, art shows, literature or any other medium that you believe you have seen express speculative elements. We also accept papers analyzing the place of speculative fiction as a whole, and encourage you to submit these sorts of analyses.
We are looking for…
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Image from imdb.com
“How do you feel, Jim?”
Did you ever read a book or watch a movie as a kid and think, “Hot diggity, that was great!”, only to leave it for a long time, get some grey in your hair (seven hairs exactly), and then come back to that movie you loved as a kid only to finally realise how brilliant it was?
Okay, maybe that was a bit specific. But that is my experience with what is undeniably the best of the Star Trek movies: The Wrath of Khan (1982).
When I was little, I could only appreciate how fun the movie was. I wasn’t equipped to appreciate how Nicholas Meyer paints his space opera of revenge with themes from classic literature. I can now.
After Star Trek: The Motion Picture (1979)failed to gain the box office numbers that Paramount wanted, The Wrath of…
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Different writers speak to different people. There can be lots of writers that you like, and lots that you don’t. But I think for each of us, there are a few writers who speak to us in a way that most do not.
Image from isfdb.org
For me, Kurt Vonnegut Jr. is one of those writers. Slapstick, or Lonesome no More! (1976)is not the most famous or celebrated of Vonnegut’s work—in fact, it was poorly reviewed upon release. Nor do I think it is necessarily his greatest book. It might be more fitting for me to be writing on Slaughterhouse Five (except I’ve already done that), or The Sirens of Titan, due to my love of stories concerning interplanetary travel and aliens.
Instead I’m going to talk about Vonnegut and my affection for him through the lens of Slapstick, because in a very personal…
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There was a time during the twentieth century when the position of the greatest science fiction author was officially split into three. The greatest authors were considered to be Robert A. Heinlein, Arthur C. Clark, and Isaac Asimov.
Of the three, the latter two came to an official accord on how to respond to questions of who was the better writer. While sharing a cab ride in New York, Asimov and Clarke drafted The Clarke-Asimov Treaty of Park Avenue.
This agreement stated that when asked who was best, Clarke was to refer to Asimov as the best science writer, and Asimov was to refer to Clarke as the best science fiction writer. Each was to claim to be second-best in the other’s field.
The only written evidence of this treaty appeared in the dedication of Clarke’s novel Report on Planet Three:
“In accordance with the terms of the Clarke-Asimov Treaty…
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I cannot keep time Late for the rest of my life Stopped to pet a cat
I am in love with goddess of the moon, Though I am of another pantheon, I sacrifice myself to her instead – Leaving my dead tree for her soft embrace * Her cat-yawned stretch figure touches my heart, She the protector of the sun, soft fur, And I the wolf chaser of other stars Still,... Continue Reading →